MARILYN VOLKMAN
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      • weinberg/newton
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      • Contingent Conventions - 2011
      • coming soon
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MARILYN VOLKMAN
  • Home
  • CV
  • NEWS / PRESS
  • WORK
    • NEO- CRAFT
      • neo- craft videos
      • ideal world tech
      • neo- currencies
      • intro to limitlessness
    • EVERYTHING IS VALUES
    • CURATORIAL / RESEARCH
      • CURRENT RESEARCH - 2021
      • ANEF
      • ritualistic technology
      • art present
      • gift economies
      • inversion
      • frontier
    • PROJECTS
    • COLLABORATIONS
      • OUR LITERAL SPEED
      • challenging jewellery
        • the collective
        • the course
        • jewellery as currency
        • cj exhibition
      • overgraduation
    • EXHIBITIONS
      • HET HEM
      • weinberg/newton
      • bad romance
      • Contingent Conventions - 2011
      • coming soon
  • Novel
  • CONTACT
© Marilyn Volkman
  • Democratic Perspectives on Cuban News - 2020

    Democratic Perspectives on Cuban News - 2020

    Read: Mare, Claudia. “Foro Cubano Revista De Divulgación: Anécdotas De Marilyn Volkman.” Cuba Program: Democratic Perspectives on Cuban News (blog). Universidad Sergio Arboleda, December 2020.

    Cuban Forum Outreach Magazine: Anecdotes from Marilyn Volkman
    article coordinated by Claudia Mare

    This issue of Cuban Forum is dedicated to a compilation of stories about post-revolutionary Cuba as a location of contact. “Anecdotes” proposes a space for collaboration focused on these relationships narrated in the first person by critics, intellectual or foreign academics and observers, in order to expose a negotiation and reconfiguration of the post-revolutionary paradigm with Cuba as a reference.

    -Claudia Mare



  • QOQQOON - 2020

    QOQQOON - 2020

    Read: Volkman, Marilyn. “Performer/Spectator Relationships: A Dynamic of Equilibrium.” QOQQOON, Ed. Leigh Tennant and Steven Cottingham. issue 4. July 2020. Web and Print.

    Performer/Spectator Relationships: A Dynamic of Equilibrium
    by Marilyn Volkman, July 2020

    The relationship between performer and spectator is predicated on physical, temporal, and psychological boundaries—a dynamic of mutual tension, dependency, and consent rooted in the continual flow of power from one to the other. It is this interaction between the spectator’s positioning and the performer’s taking action from which an artwork is born...

  • GENDERPITCH.COM - 2020

    GENDERPITCH.COM - 2020

    Genderpitch.com: Casey Smallwood interviews Marilyn Volkman about the role of gender in her artistic practice, namely in projects where she interviews soldiers and puts a new spin Cindy Sherman's Film Stills.

    Genderpitch.com by Regina Williams

    An artist's process is complicated and influenced by a myriad of experiences. Gender is sometimes an assumed influencer but is it really unique to each artist or is gender as a broad concept inherently implicit in every piece of artwork?

    Storytelling between women focused on sharing personal narratives about the often complex and unpredictable journey of being being a woman in a global world. These powerful audio dairies will bond, teach, and entertain a community of culturally diverse women who understand that there is power in our collective voices. Support this podcast: anchor.fm/genderpitch/support

  • Contemporary Jewellery - 2020

    Contemporary Jewellery - 2020

    Read: Van Es, Saskia, “Challenging Jewellery: een samenwerking,” Hedendaagse Sieraden, 12 Nov 2020. Web.

    Challenging Jewellery: een samenwerking
    by Saskia van Es, November 2020

    Het sieraad als pedagogisch model
    Marilyn Volkman heeft, bijna als een antropoloog, alle gesprekken tussen de studenten en de docenten uitgeschreven. De opdracht van hogerhand om het begrip sieraad te ‘challengen’, het gestuntel van de groep om de gemeenschappelijke idealen vorm te geven en de inzichten die ontstonden, heeft ze ingedikt tot een novelle met een handvol fictieve personages. Daarvan heeft ze weer een film gemaakt, in haar uppie, thuis, waar ze alle rollen speelde...

    Jewellery as a pedagogical model
    Marilyn Volkman has, almost like an anthropologist, transcribed the conversations between students and teachers. Taking the order from above to "challenge" the concept of jewellery, and the group's fumbling to shape shared ideals and insights that arose, she has thickened them into a novella with a handful of fictional characters. She then made a film of it, on her own, where she played all the roles...

  • YALE UNIVERSITY PRESS - 2016

    YALE UNIVERSITY PRESS - 2016

    Read: Our Literal Speed presents "Emergencia," at Clark Art Institute, Williamstown, MA, 8 November 2014, published in Art History and Emergency, eds. David Breslin and Darby English (New Haven: Yale University Press, 2016)

    A male academic and a female development officer converse in a generic space akin to a theater stage after having had dinner with a well-groomed, middle-aged man.

    ACADEMIC [hesitantly]
    Well . . . what do you think? Did we pull it off? Was I going too “hard-sell” on him at the end? I mean, do you think he — understood? I feel like I was — he never really acted like he got it ...


  • TEMPORARY ART REVIEW - 2015

    TEMPORARY ART REVIEW - 2015

    Read: Cottingham, Steven and Volkman, Marilyn, ‘If Art Is A Faith Then I Am An Agnostic,’ Temporary Art Review, 2015. Web.

    If art is a faith then I am an agnostic

    May 11, 2015 at 8:51 AM
    from: Marilyn Volkman
    to: Steven Cottingham

    I hate that I wake up re-inspired by art almost everyday. Sometimes I think it’s a trap. But maybe that’s just life.

    It’s kind of funny, and I’m just rambling here, but I think it’s nice to have a name to put on it: that feeling of being inspired. It’s stupidly simple, but sometimes I just think that being inspired by art is being inspired by people, or being hopeful about art is the potential for people to do meaningful things, to approach life in a meaningful way. It’s this huge sensation of possibility...

  • ATLAS SIGHED - 2014

    ATLAS SIGHED - 2014

    Read: Cottingham, Steven and Beaulieu, Derek and Rezaei, Mohammad and Sorell, Lindsay and Volkman, Marilyn. Atlas Sighed: The 2014 Calgary Biennial. Calgary, 2014.

    Atlas Sighed, catalog
    page 4, Marilyn Volkman
    'I hate that I wake up reinspired by art almost everyday'

  • UNIVERSITY OF CHICAGO: DOVA ZINE - 2014

    UNIVERSITY OF CHICAGO: DOVA ZINE - 2014


    Read: DOVA Alumni Zine
    Info: Department of Visual Arts, University of Chicago, Recent Alumni

  • BERFROIS MAGAZINE - 2014

    BERFROIS MAGAZINE - 2014

    Read: Jackson, Matthew Jesse, and Our Literal Speed. “Martin Luther King’s the Greatest Artist of the Twentieth Century.” Berfrois, 14 Oct. 2014. Web.

    OUR LITERAL SPEED, Dorchester Projects, Chicago, 3 October, 2014

    Two actors sit in gray folding chairs in the center of a room filled with people. It is a symposium on public art. The actors begin to speak.

    Abbey Shaine Dubin: I mean, what I’m trying to say is everybody’s got Martin Luther King wrong, okay? Everybody treats him like this sacred, you know, political figure, this cultural icon, or, I mean, if you’re some cracker dumbfuck from, I don’t know, Alabama or something, maybe he’s a demon. Doesn’t matter. Point is, no matter what, he’s somebody you can’t touch. Somebody you can’t understand unless he’s a plastic action hero. I mean, the whole Civil Rights thing, all that stuff, it’s totally off-limits unless you want to heroize everything in this mechanical, already obvious way.

    Marilyn Volkman [hesitantly]: Okay. Maybe I’m following.

    Info: OLS website

  • CHICAGO CONTEMPORARY ART - 2014

    CHICAGO CONTEMPORARY ART - 2014

    Yali Romagosa interviews Marilyn Volkman and Dan Paz, 2014

    Read: "Yali Romagosa Interviews Marilyn Volkman and Dan Paz.” Interview by Yali Romagosa, Chicago, Contemporary Art Seminar. 25 Apr. 2014. Web.


  • CHICAGO ART SLANT - 2012

    CHICAGO ART SLANT - 2012

    Read: Wenzel, Erik, “GEOslant: It Ain’t Easy,” ArtSlant. Art Slant, New York, 2012. Web.

    Erik Wenzel on ARTE NO ES FACIL, curated by Marilyn Volkman and Dan Paz


    GEOSLANT: IT AIN'T EASY

    “He says, ‘It’s crazy that you can’t get people to do it.”

    “Ok, but tell him: ‘To me, it is crazy to think that you could get people to do it.’”

    We are standing outside on the street late at night in February trying to figure out how we’re going to realize our project, which is to be on view to the public in three days. To complicate things further, I speak no Spanish and my counterpart, Carlos Martiel Delgado Saínz, speaks no English. This is a typical exchange that has made participating in Arte No Es Fácil such a challenge and excitement. In Cuba you can get plenty of people to come help with something in a few hours notice. In America, you need at least a week, especially if it’s a Friday.

  • UNIVERSITY OF NEW BRUNSWICK - 2015

    UNIVERSITY OF NEW BRUNSWICK - 2015

    Listen: Volkman, Marilyn, Sophia Bartholomew, “NEOCraft” Interview. 97.9. CHSR-FM, Fredericton, New Brunswick, 07 Sept. 2015. Radio.

    UNB RADIO, FREDERICTON, CANADA
    The Lunchbox Interview: Marilyn Volkman (NEO- CRAFT)

© Marilyn Volkman